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Copjec (ed), Shades of Noir: A Reader, London: Verso, pp.167-199. Freud, S (2001), The Standard Edition of the Complete Psychological Works of Sigmund Freud, Vol. XII, London: Verso. Gledhill, C (1998), Klute : A Contemporary Film Noir and Feminist Criticism, published in published in E. Kaplan (ed), Women in Film Noir, London: BFI, pp.20-34. Hirsch, F (1981), Film Noir: The Dark Side of the Screen, New York: A.S. Barbes) Humm, M (1997), Feminism and Film, Edinburgh: Edinburgh University. Johnson, Claire (1998), Double Indemnity, published in E. Kaplan (ed), Women in Film Noir, London: BFI, pp.89-98 Kuhn, A (1994), The Power of the Image, London: Routledge. Lacan, J (1982), God and the Jouissance of Women, published in Feminine Sexuality, London: Pantheon Books, pp.137-148. Lacan, J (1997), The Psychoses: 1955-1956, London: Norton. Lacan, J (2000), On Female Sexuality, the Limits of Love and Knowledge, 1972-1973, London: Norton. Mulvey, L (1999), Visual Pleasure and Narrative Cinema, published in L. Braudy and M. Cohen (eds), Film Theory and Criticism, Oxford: Oxford, pp.833-844. Naremore, J (1998), More than Night: Film Noir and its Contexts, Berkeley: University of California. Nobus, D (1998), Key Concepts of Lacanian Psychoanalysis, London: Other. Place, J and Peterson, L (1976), Some Visual Motifs of Film Noir, published in B. Nichols (ed), Movies and Methods, Berkeley: University of California, pp.325-338 Place, Janey (1998), Women in Film Noir, published in E. Kaplan (ed), Women in Film Noir, London: BFI, pp.47-68. Porfirio, R (1999), Whatever Happened to the Film Noir? The Postman Always Rings Twice, published in A. Silver and J. Ursini (eds), Film Noir Reader 2, New York: Limelight, pp.85-98. Rebate, J.M (2003), The Cambridge Companion to Lacan, Cambridge: Cambridge. Schrader, P (1986), Notes on Film Noir, published in Grant, B (ed), Film Genre Reader, Austin: University of Texas, 169-182. Stafford Clark, D (1965), What Freud Really Said, London; Penguin. Tuska, J (1984), Dark Cinema: American Film Noir in Cultural Perspective, London: Greenwood. Vernet, M (1993), Film Noir on the Edge of Doom, published in J. Copjec (ed), Shades of Noir: A Reader, London: Verso, pp.1-32. Zizek, S (1997), The Plague of Fantasies, London: Verso. Zizek, S (2001), On Belief, London: Routledge. Bibliography Selby, S (1984), Dark City: The Film Noir, London: St James Press. Spicer, A (2002), Film Noir, London: Longman. Filmography Criss Cross (1949), dir. Robert Siodmak. Double Indemnity (1944), dir. Billy Wilder. Foreign Correspondent (1940), dir. Alfred Hitchcock, Gilda (1946), dir. Charles Vidor. Kiss Me Deadly, (1955), dir. Robert Aldrich. The Big Sleep, (1946), dir. Howard Hawkes. The Postman Always Rings Twice (1946), dir. Tay Garnett. The Postman Always Rings Twice(1981), dir. Bob Rafelson. Vertigo (1958), dir. Alfred Hitchcock.
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