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In Oedipus the King, Oedipus
kills his father, Laius, and marries his mother, Jocasta.
Oedipus and his father meet and fight at a fork in the road
where two paths converge into one, literally and metaphorically
representing the entrance to Jocasta. They each travel up
one of the bifurcated paths, and consequently fight in order
to have access to the one path stemming from it. This over-determined
triangular shape, “the place where three roads meet”
[1], where two bifurcated paths converge into one road leading
to Thebes where Jocasta, the mother, is, implies the topography
of the female body. Father and son fight for entry to the
path that leads to the mother. Read in this way, father and
son fight for (sexual) entrance to the mother, to be the mother’s
lover. In Jean de Florette, both Jean and Cesar symbolically
fight for Florette; they both want to plant their seed in
the maternal body of Florette, whom the land represents.
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